000			01636cam a2200337 a 4500
001			17137131
005			20140730135143.0
008			120127s2013 enka b 001 0 eng
020			_a9780415454346 (hardback : alk. paper)
020			_a0415454344 (hardback : alk. paper)
020			_a9780415454353 (pbk. : alk. paper)
020			_a0415454352 (pbk. : alk. paper)
020			_a9780203816219 (ebook)
020			_a0203816218 (ebook)
040			_aDLC _cDLC _dDLC
042			_apcc
043			_an-us-ny
050	0	0	_bZ68 2013
082	0	0	_a812.52 FOR/CUM _223rd ed.
100	1		_aCummings, Scott T., _d1953-
245	1	0	_aMaria Irene Fornes / _cScott T. Cummings.
260			_aAbingdon, Oxon ; _aNew York : _bRoutledge, _c2013.
300			_axxiv, 205 p. : _bill. ; _c21 cm.
490	0		_aRoutledge modern and contemporary dramatists
504			_aIncludes bibliographical references (p. [194]-202) and index.
505	0		_aOverview -- The 1960s. Getting started -- Off-off Broadway: the good scene -- Key play: Promenade (the apotheosis of Judson) -- The 1970s. Finding a way -- Key play: Fefu and her friends (turning over the stone) -- The 1980s. Found -- The PAJ plays -- Key play: Abingdon Square (conquering the vagueness) -- The 1990s. The night plays -- Coming to an end.
600	1	0	_aFornes, Maria Irene _xCriticism and interpretation.
650		0	_aTheater _xProduction and direction _zNew York (State) _zNew York _xHistory _y20th century.
906			_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg
999			_c158612 _d158612